Die Wehklage von Christus c. 1460
Oil on wood,
69 x 49 cm Louvre c. das Ölvon 1460 auf Holz, 69 X 49 cm Louvre 1420-1475
Flemish
Dieric Bouts Locations
Die Wehklage von Christus 1467-68
Oil on oak,
33,8 x 23 cm
Kunsthistorisches
Museum, Vienna 1467-68 Öle auf Eiche, 33.8 X 23 cm Kunsthistorisches Museum,Wien 1440-1482
Flemish
Hugo van der Goes Galleries
Die Wehklage von Christus 1467-68
Oil on oak, 33,8 x 23 cm
Kunsthistorisches Museum, Vienna 1467-68 Öle auf Eiche 33.8 X 23 cm Kunsthistorisches Museum Wien Netherlandish Northern Renaissance Painter, ca.1440-1482
Die Wehklage von Christus mk86
1303-1305
Fresco
185x200cm
Padua,Arena Chapel
mk86 1303-1305Freskogemälde 185x200cm Padua, Arenakapelle Italian Early Renaissance Painter, 1267-1337
Die Wehklage von Christus mk86
1436
Tempera on wood
108x165cm
Florence,Museo di San Marco
der Tempera von mk86 1436 auf Holz 108x165cm Florenz, Museo di Sankt Marco Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
Die Wehklage vonChristus mk86
1606
Oil on canvas
92.8x103.2cm
London,National Gallery
das Öl von mk86 1606 auf Leinwand 92.8x103.2cm London, Nationale Galerie 1560-1609
Italian
Annibale Carracci Locations
Gemälde ID:: 83100
The Lamentation of Christ Date between 1467(1467) and 1468(1468)
Medium Oil on oak
Dimensions Height: 33.8 cm (13.3 in). Width: 23 cm (9.1 in).
cjr 1440-1482
Flemish
Hugo van der Goes Galleries
van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.
Gemälde ID:: 88300
The Lamentation of Christ c. 1624(1624)
Medium Oil on canvas
Dimensions 155 x 180.5 cm (61 x 71.1 in)
cyf van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.
Abraham Janssens van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.
The Lamentation of Christ
